Movements/SectionsMov’ts/Sec’s, 5 pieces. Vingt-neuvième Fantasie, à 3, sur Une jeune fillette; Trentième Fantasie, à 3, seconde partie; Trente-et-unième. General Information. Title: Missa pro Defunctis Composer: Eustache du Caurroy Lyricist: Number of voices: 5vv Voicing: SATTB Genre: Sacred. Life. Born: 4 February Died: 7 August Biography. View the Wikipedia article on Eustache du Caurroy.
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These posthumous fantasias — the most serious instrumental genre of the time, as opposed to Romantic ideas on the subject — are written for from three to six parts, xaurroy an astonishing depth of expression and an amazing imagination and variety of technique. Du Caurroy served as composer to the royal chamber for three Kings of France, but in his own time was considered the equal of Orlando di Lassus in compositional prowess.
In the collection “Les Meslanges,” Du Caurroy takes up some of the stylistic principles of Le Jeune, including the “musique mesuree” and other complicated compositional devices.
Du Caurroy’s surviving music consists of a Missa pro defunctis; a collection of fifty-three Latin motets for between three and nine voices, “Preces ecclesiasticae” ; a collection of sixty-five French pieces of various natures, “Les Meslanges” ; and a collection of forty-two instrumental fantasias published in open score Du Caurroy accumulated wealth and honours in the first decade of the 17th century, including benefices and a large estate in Picardy.
Introspection Late Night Partying. His Missa pro defunctisfirst performed at the funeral of Henry IV of Francewas the requiem mass which was played at St. Retrieved from ” https: He was awarded another prize in the same competition in for a chanson.
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Missa pro Defunctis (Eustache du Caurroy) – ChoralWiki
He had also become quite wealthy from benefices bestowed on him, not least of them his appointments as Canon at two churches and Prior at several others. Eustache du Caurroy baptised February 4, — August 7, was a French composer of the late Renaissance. He probably entered royal service aroundand in is first mentioned in documents from the royal court, when he won a song competition: It is a long composition containing the Libera me responsory, the chant for which is similar to the famous Dies irae.
Although one reliable source composer Jean-Benjamin de la Borde lists du Caurroy ‘s birthplace as Gerberoy, he may well have been born in nearby Beauvais, where he was baptized on February 4, In his motets, he is known as an austere composer of structurally involved music, though several of the motets for double choir are quite jubilant.
5 Fantasias on ‘Une jeune fillette’ (Du Caurroy, Eustache)
(François) Eustache Du Caurroy
Around this time du Caurroy began serving as assistant master of the royal chapel and soon produced what is perhaps his best-known work, the Missa pro defunctis c. Streams Videos All Posts. He was now at the height of his powers, though relatively little of his music was published.
Classical music cwurroy Kingdom of France portal. Virtually nothing is known of du Caurroy ‘s early years and his first recorded activity is as a singer in the royal chapel under King Henry III, though he may have been in the service of King Charles IX in the early s, as is suggested on a monument erected to du Caurroy ‘s memory. Recommended Recordings Recommended Work Recommendation to come….
French classical composers French male classical composers Renaissance composers French composers of sacred music births deaths. In du Caurroy was elevated to composer of the royal chamber, then in to composer of the royal cu. In any event, by the mids du Caurroy was already a seasoned composer, winning prizes in the annual Puy d’Evreux competition in and for vocal works.
Du Caurroy also wrote instrumental music, including contrapuntal fantasies for three to six instruments. This page was last edited on 8 Septemberat Finally, Du Caurroy’s fantasias are an exceptional set of instrumental pieces, the earliest such attributed works in French music.
Marin Mersenne ‘s Eu universelle contains a setting by Du Caurroy of Pie Jesuwhich is a canon for six voices. Du Caurroy’s Missa pro defunctis is an extremely famous piece, and was performed at all the funerals for French Kings for nearly two hundred years, earning it the apocryphal title “Mass for the funerals of the Kings of France. Denis for the funerals of French kings for the next several centuries. The work would remain de rigueur at the funerals of French monarchs for the next century or so.